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Oct 17th, 2014, 1:20 am
4 Novels and 2 Short Story Books by Bernard Malamud
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Overview: Bernard Malamud (April 26, 1914 – March 18, 1986) was an author of novels and short stories. Along with Saul Bellow and Philip Roth, he was one of the great American Jewish authors of the 20th century. His baseball novel, The Natural, was adapted into a 1984 film. His 1966 novel The Fixer, about antisemitism in Tsarist Russia, won both the National Book Award and the Pulitzer Prize for Fiction.
Genre: American Literature < Classics < Jewish

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The Natural
The Natural, Bernard Malamud’s first novel, published in 1952, is also the first—and some would say still the best—novel ever written about baseball. In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted “natural” at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin’s comment still holds true: “Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology.

The Tenants
In The Tenants (1971), Bernard Malamud brought his unerring sense of modern urban life to bear on the conflict between blacks and Jews then inflaming his native Brooklyn. The sole tenant in a rundown tenement, Henry Lesser is struggling to finish a novel, but his solitary pursuit of the sublime grows complicated when Willie Spearmint, a black writer ambivalent toward Jews, moves into the building. Henry and Willie are artistic rivals and unwilling neighbors, and their uneasy peace is disturbed by the presence of Willie's white girlfriend Irene and the landlord Levenspiel's attempts to evict both men and demolish the building. This novel's conflict, current then, is perennial now; it reveals the slippery nature of the human condition, and the human capacity for violence and undoing.

A New Life
In A New Life, Bernard Malamud--generally thought of as a distinctly New York writer--took on the American myth of the West as a place of personal reinvention.
When Sy Levin, a high school teacher beset by alcohol and bad decisions, leaves the city for the Pacific Northwest to start over, it's no surprise that he conjures a vision of the extraordinary new life awaiting him there: "He imagined the pioneers in covered wagons entering this valley for the first time. Although he had lived little in nature Levin had always loved it, and the sense of having done the right thing in leaving New York was renewed in him." Soon after his arrival at Cascadia College, however, Levin realizes he has been taken in by a mirage. The failures pile up anew, and Levin, fired from his post, finds himself back where he started and little the wiser for it.

God's Grace
God's Grace (1982), Bernard Malamud's last novel, is a modern-day dystopian fantasy, set in a time after a thermonuclear war prompts a second flood-a radical departure from Malamud's previous fiction.
The novel's protagonist is paleolosist Calvin Cohn, who had been attending to his work at the bottom of the ocean when the Devastation struck, and who alone survived. This rabbi's son?a "marginal error"?finds himself shipwrecked with an experimental chimpanzee capable of speech, to whom he gives the name Buz. Soon other creatures appear on their island-baboons, chimps, five apes, and a lone gorilla. Cohn works hard to make it possible for God to love His creation again, and his hopes increase as he encounters the unknown and the unforeseen in this strange new world.
With God's Grace, Malamud took a great risk, and it paid off. The novel's fresh and pervasive humor, narrative ingenuity, and tragic sense of the human condition make it one of Malamud's most extraordinary books.

Pictures of Fidelman: An Exhibition
Arthur Fidelman, Bronx-born and raised, is a self-confessed failure as a painter. When he goes to Italy to prepare a critical study of Giotto, a zany adventure ensues. Pursued through the streets of Rome by the refugee Susskind, forced to abandon Giotto, feeling a reawakening desire to create art, falling into the hands of art thieves, hand-carving wooden Madonnas for sale, becoming a pimp, attempting to sculpt the perfect hole, Fidelman is a comic creation of genius.

The People and Uncollected Stories
Includes Malamud's novel, The People, which was left unfinished at the time of his death in 1986, with the text presented as the author left it, as well as fourteen previously uncollected stories. Set in the nineteenth century, The People has as its hero a Jewish peddler who is adopted as chief by an Indian tribe in the Pacific Northwest.
This volume contains the novel the author left unfinished at his death, presented with notes for its conclusion along with fourteen uncollected stories, five published here for the first time.

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Oct 17th, 2014, 1:20 am